The history of art from the early nineteenth century onward is commonly viewed as a succession of conflicts between innovatory and established styles that culminated in the formalism and aesthetic autonomy of high modernism. In "Art and Crisis", first published in 1948, Hans Sedlmayr argues that the aesthetic disjunctures of modern art signify more than matters of style and poi...(展开全部)

The history of art from the early nineteenth century onward is commonly viewed as a succession of conflicts between innovatory and established styles that culminated in the formalism and aesthetic autonomy of high modernism. In "Art and Crisis", first published in 1948, Hans Sedlmayr argues that the aesthetic disjunctures of modern art signify more than matters of style and poi...(展开全部)

In this cross-cultural study of manhood as an achieved status, the author finds that a culturally sanctioned stress on manliness - on toughness and aggressiveness, stoicism and sexuality - is almost universal, and deeply ingrained in the consciousness of men who otherwise have little in common.

In this cross-cultural study of manhood as an achieved status, the author finds that a culturally sanctioned stress on manliness - on toughness and aggressiveness, stoicism and sexuality - is almost universal, and deeply ingrained in the consciousness of men who otherwise have little in common.

In the early 1990s, Israeli television began dedicating Memorial Day airtime to videos produced by the grieving families of soldiers killed in the line of duty. When these videos first appeared, during a period of growing Israeli discontent with the occupation of southern Lebanon, they were widely perceived as a challenge to the state, reclaiming the dead from Israel’s militari...(展开全部)

In the early 1990s, Israeli television began dedicating Memorial Day airtime to videos produced by the grieving families of soldiers killed in the line of duty. When these videos first appeared, during a period of growing Israeli discontent with the occupation of southern Lebanon, they were widely perceived as a challenge to the state, reclaiming the dead from Israel’s militari...(展开全部)

Featuring 28 leading international media scholars, Technics rethinks technology for the contemporary digital era, with cutting-edge theoretical, historiographical, and methodological interventions. The volume’s contributors explore the ideas of Walter Benjamin, Ursula Le Guin, Bernhard Siegert, Gilbert Simondon, and Sylvia Wynter in conjunction with urgent questions concerning ...(展开全部)

【作者简介】 阿米塔夫•高希（Amitav Ghosh）1956年出生于加尔各答，成长于印度、孟加拉国和斯里兰卡等地。从新德里大学毕业后，他赴牛津大学圣埃德蒙学堂研修，并获社会人类学博士学位。高希以其独有的人类学者的知识背景和现实关怀，以及细腻入微的描写，构成了当代印度英语文学重要的一部分。 著作另有《理性环》（The Circle of Reason）、《阴影线》（The Shadow Lines）、《饿潮》（The Hungry Tide）以及“朱鹭号”三部曲《罂粟海》(Sea of Poppies)、《烟河》（River of Smoke）和《火海》（Flood of Fire）等十余部作品。他的作品斩获了包括法国美第奇文学奖、印度顶级文学奖挲诃德耶学院奖以及英国阿瑟•克拉克科幻奖等诸多国际大奖。2007年，他被印度总统授予印度最高荣誉“卓越贡...(展开全部)

【作者简介】 阿米塔夫•高希（Amitav Ghosh）1956年出生于加尔各答，成长于印度、孟加拉国和斯里兰卡等地。从新德里大学毕业后，他赴牛津大学圣埃德蒙学堂研修，并获社会人类学博士学位。高希以其独有的人类学者的知识背景和现实关怀，以及细腻入微的描写，构成了当代印度英语文学重要的一部分。 著作另有《理性环》（The Circle of Reason）、《阴影线》（The Shadow Lines）、《饿潮》（The Hungry Tide）以及“朱鹭号”三部曲《罂粟海》(Sea of Poppies)、《烟河》（River of Smoke）和《火海》（Flood of Fire）等十余部作品。他的作品斩获了包括法国美第奇文学奖、印度顶级文学奖挲诃德耶学院奖以及英国阿瑟•克拉克科幻奖等诸多国际大奖。2007年，他被印度总统授予印度最高荣誉“卓越贡...(展开全部)

Once upon a time, an Indian writer named Amitav Ghosh set out as an Indian slave, name unknown, who some seven hundred years before had traveled to the Middle East. The journey took him to a small village in Egypt, where medieval customs coexist with twentieth-century desires and discontents. But even as Ghosh sought to re-create the life of his Indian predecessor, he found him...(展开全部)